The Best Musical Theatre Male Audition Songs for a Baritone

Baritone Songs For Musical Theatre Auditions
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Too many shows, too many songs, too few time!
Finding song for a musical theatre or drama school audition can be as tricky as finding the perfect monologue. Actor Hub is here to help with some of our favourite suggestions for baritones to sing at a casting.
Whenever you choose a song to sing at an audition remember that the director will be looking at your acting skills, at how you show both character and story through song.
When you choose a song treat it as you would a monologue, research the character and most importantly have an understanding of the musical it comes from.
If the casting director just wanted excellent singers, then they would hire an excellent singer. You are an actor, you have trained in acting. Your skills lie in bringing alive a character, so make sure you choose a song which demonstrates that.
Here is a list of Baritone songs which we feel would be perfect for auditioning. Click on the title or image to watch a video of the song.
Bookmark this page and keep coming back as we are constantly updating and adding to this list. And if you have an addition then please let us know and we can add it to the list.
Baritone Songs for Musical Auditions
This list will hopefully guide you when looking for a musical theatre audition song, have a watch of the video, listen to the song and see if you like it. Do try and read the script or watch the show. If you find something else or have a recommendation let us know via Twitter @actorhub and we can add your choice to the list.

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  • A theatre is closing and a reunion is held to honor the Follies shows that once performed there. All of the showgirls return to the theatre where they had once performed as young woman.
    The show focuses on two couples, Buddy & Sally and Ben & Phyliss. Both couples are very unhappy in their marriages. At the end of the show the confusions, anger and madness become too much and a fantasy ‘Loveland’ sequence happens and we get to see the real and emotional lives of the couples in a kind of musical breakdown!
    Buddy, a travelling salesman, has been having an affair on the road. His ‘Loveland’ song is ‘Buddys Blues’ performed in a vaudevillian style with an imaginary Sally and his girlfriend Margie. It is a real comic tour-de-force but also needs the real and emotional breakdown which makes the soul of the song so heartfelt.
  • The Wild Party takes place in the roaring twenties and tells the story of a ‘wild party’ one night in the apartment shared by the vaudeville performers Queenie and Burrs. They have a volatile rocky relationship and this party is intended to be the party of the decade!
    Queenie has been flirting with Mr Black, a strapping young guest at the party, much to the annoyance of the overbearing possessive Burrs. He has scolded her physically for this behaviour, and in the song What Is It About Her he confesses his rage and sadness at her affection for another man.
    Burrs is a violent brutal possessive man, and is a joy to get your teeth into for any performer. This song is a gift for any musical theatre performer, it is full of emotion, full of repressed feelings finally getting voiced. If you can discover the truth and let the emotions burst out of you with feeling then you will stand out for all the right reasons.
  • The Baker’s Wife is a Stephen Schwartz musical which has never had a succesful West End or Broadway run, yet remains hugely popular amongst musical theatre afficianados.
    The story revolves around a small Parisian town which is enamoured by bread produced by the newly arrived middle aged baker and his beautiful young wife. The wife has an affair with a handsome gigolo and the baker loses his will to bake.
    Amiable the Baker has had to admit to himself and the townsfolk that his wife Genevieve has run off and left him. He sings If I Have To Live Alone, as he decides that he will live alone with dignity.
    The song is a lovely piece for any actor, it is the story of a broken man rebuilding his life. The character really goes on a journey and it is a gem for a baritone to sing at an audition.
  • Carousel was the second musical by the team Rogers and Hammerstein. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He attempts a robbery to provide for Julie and their unborn child; after it goes wrong, he is given a chance to make things right.
    When Julie has announced her pregnancy to Billy, he is overwhelmed with happiness. He imagines all the fun he will have with his son, Bill Jr, then he realises the child could be a girl, and reflects soberly on the duties he will have being a father to a girl. All of this reflection is done alone on stage in the epic musical song ‘Soliloquy’
    The song is seven and a hlaf minutes long! And through it Billy daydreams happilly, then is horrified, then disappointed, then tender, and then motivated. It is a huge song for any singer and is done well can be a tour de force. It is the closest I think musical theatre gets to having an aria.
    Interestingly when Sinatra released ‘Soliloquy’ as a single the song was not complete on Side A it had to continue on side B.
    “I-i got to get ready before she comes!
    I got to make certain that she
    Won’t be dragged up in slums
    With a lot o’ bums like me”
  • The Prince of Eygpt is a 1998 animated epic from Dreamworks which tells the biblical story of Moses and the Book of Exodus. The story follows Moses from being a Prince of Eygpt through to his destiny leading the children of Isreal out of Eygpt. The songs are written by the Wicked and Godspell composer Stephen Schwartz.
    This wonderful uplifting song is sung by Jethro a high priest and father to Moses’ wife, Tzipporah. Moses has gone into hiding and journeyed many miles across desert ro reach the land of the Midiantes – who worship the Hebrew God.
    Jethro sings a song of thanks to God and welcomes Moses into the tribe. The song is a celebration of life and noticing and celebrating all that the world has to offer.
    Stephen Schwartz has this to say about the inspiration for this song:

    That was actually the third song written for its spot the other two had more to do with the tribe welcoming Moses into their midst. It was Jeffrey Katzenberg’s suggestion that the song be more about the philosophy of Jetthro, the spiritual leader of the tribe. One of the directors, Steve Hickner, found a well known poem called “The Measure of a Man” which helped to inspire some of the specific ideas in the song.
    “So how can you see what your life is worth
    Or where your value lies?
    You can never see through the eyes of man
    You must look at your life, look at your life through heaven’s eyes”
  • “Glass of Water” is a song from the cartoon series My Little Pony: Friendship Is Magic (yes, I’m serious).
    In the song, the nefarious trickster spirit Discord (voiced by John de Lancie of Star Trek fame) is sick, so he asks his “friend” Twilight Sparkle and her sister-in-law Cadance for a simple glass of water, among other things. Hijinks ensue.
    The song was composed by Daniel Ingram and written by Ed Valentine for the episode “Three’s a Crowd”. It also marks de Lancie’s first solo number as Discord, performed in a sprechgesang style of half-speaking and half-singing.
    Beyond being filled to the brim with countless blink-and-you’ll-miss-it pop culture references in the latter half, the song perfectly captures Discord’s zany, off-the-walls personality that makes him — and the show, to an extent — so popular. (It also helps that the role was originally created as a tribute to his role from Star Trek as “Q”.)
    ”I’d like that glass of water please
    Some magic spell to cure disease
    A firm ‘gesundhoof’* when I sneeze
    A fresh bouquet of roses

    Some lozenges will soon appease
    My wheezing when I start to sneeze
    A wig to keep me from the breeze
    And blankets for my toes-es”
    * “Gesundheit” meets horse pun
    Please note this episode aired early 2014 and so the amazon links are to songs from earlier seasons of this show, not this particular song
  • Alongside Sondheim and Schwartz the composer William Finn is also a favourite at auditions. The song Sailing from the musical “A New Brain” is worth checking out, but on our top five is the beautiful love song What More Can I Say from Falsettos.
    Falsettos the musical consists of two mini musicals March of the Falsettos and Falsettoland and tells the story of Marvin, his ex-wife Trina, his psychiatrist Mendel, his son Jason, and his gay lover Whizzer Brown.
    What More Can I Say is sung by Marvin as he sits and watches his sleeping lover Whizzer and wonders how much he loves him. It is a lovely, ballad, tender and sweet with soaring melodies, and it is one of the most tender love songs I’ve ever heard.
  • Greenwillow is a musical by Samuels and Loesser based on the novel by B.J Shute.
    The show takes place in the magical town Greenwillow, the eldest child in each generation of Briggs men must obey the ‘call to wander’ and leave behind their family.
    Gideon Briggs is desperate to break this spell and settle down with his sweetheart Dorrie.
    Never Will I Marry is a powerful baritone showpiece where Gideon reflects on his life and the path that the superstitous village has for him.
    Interestingly Anthony Perkins was not available for the filming of the infamous shower scene in Psycho due to rehearsals for Greenwillow.
  • Anything Goes by Cole Porter is a 1934 show which is still a crowd pleaser today and has recently been on Broadway with Sutton Foster and Joel Grey.
    The story is a wonderful madcap journey aboard the SS American ocean liner from New York to London and is full of brilliantly witty, clever and winning songs such as Anything Goes, You’re The Top and I Get A Kick Out Of You.
    Billy Crocker is a stowaway who is madly in love with the heiress Hope Harcourt. In Act Two he has been imprisoned in the brig and sings of his love for Hope.
    A perfect love song great for auditioning to play romantic or juvenile lead roles. Remember that with Cole Porter a lot of fun can be had with the lyrics so make sure you hit every syllable as well as every note.
  • Saturday Night was Sondheim’s first musical which was written in 1954 but was never produced until 1997 due to an unfortunate set of events!
    Set in 1929 in Brooklyn a group of friends spend their Saturday Nights restless because they have no dates. Gene, who works in Wall Street in a menial job dreams of escaping Brooklyn and becoming a member of the exciting Manhattan society.
    The group have decided to head out for a Saturday Night and Gene has arrived in elegant clothes which has impressed everyone. He tells them how his smart clothes will be the ticket to the beautiful world and people of Park Avenue!
    This is a terrific mid tempo number is charming and a great opportunity for a singer to be cheeky, fun and likeable.
Be bold, daring and creative and you can’t go wrong.