Best Soprano Songs for Musical Theatre Auditions

Soprano Songs For Musical Theatre Auditions
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Actor Hub know how difficult choosing a musical theatre audition song is. There are so many shows and so many songs, it can be overwhelming.
We have a series of articles with some ideas and choices, these are some of our favourites and are songs which we think can show off both your range and singing ability, but more importantly can demonstrate your acting ability, you joy at building a character and creating a performance.
It is vital that when you choose a song you really look at it in the context of performance. Read the whole script, try to get an understanding of the character and why they are singing this particular song.
A musical director will be listening to your voice, seeing if it can fit in with the show, they will be able to spot your vocal ability it is what they are trained to do. Chances are you wouldn’t be there if you couldn’t sing.
What I always think is more important is that you can act, and this is what the director is looking for. They want actors who can bring life to a show and to characters, they want to know you can act and sing. If they just wanted singers, then they would hire a singer. You are an actor, you have trained in acting, in bringing alive a character, so make sure you choose a song which can demonstrate that.
Here is a list of Soprano songs which we feel would work well at any audition. Click on the title or image to watch a video of the song.
Soprano Songs for Musical Auditions
These are songs which will hopefully guide you when looking for a musical theatre audition song, have a watch of the video, listen to the song and if you like it then try and read the script or watch the show and get a feeling for the character, if you can do the character and the song justice … then go for it … if not keep looking and if you find something else let us know via Twitter @actorhub and we can add your choice to the list.

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  • The Glorious Ones is a musical by Flaherty and Ahrens set in 17th Century Italy and concerning a theatre troupe in the world of commedia dell’arte. It is based on the book by Francine Prose.
    The musical is a mixture or slapstick and serious, and tells the story of commedia dell’arte and how its bawdy comedy captured the publics adoration. The Glorious Ones has been called smutty, nutty, sentimental and moving.
    This song is sung by Isabella, an aristocratic young woman who joins the troupe and falls in love with group’s protégé, Francesco. This really is an incredible song for a soprano, it is a beautiful story song up there with Meadowlark and talks of creativity and creation so is perfect for an actress audition song.
  • Sleeping Beauty is a 1959 Disney animated musical fantasy film. It was the last fairy tale produced by Disney for some years; the studio did not return to the genre until years after Disney’s death with the release of The Little Mermaid.
    In the 14th century, the malevolent Maleficent taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her sixteenth birthday. This, of course, would deny her a happily-ever-after with her true love. Fortunately, some bubbly, bumbling fairies named Flora, Fauna and Merryweather are on hand to assist.
    ‘Once Upon A Dream’ is sung by Aurora as she dreams of being with a Prince Charming, it is a perfect panto audition song for a soprano wanting to play the Princess. It lacks some of the ‘spunk’ of some of the other Disney heroines, but is perfectly girly.
  • Its a most unusual day is from the 1948 film ‘A Date With Judy’
    Its a very sweet song with lots of range. The song is sung by Judy in the move and is the swing number she is planning to sing at the high school dance. The film is worth watching for the fantastic Carmen Miranda!
    It is a really classic song, and has been covered by everyone form Andy Williams to the Muppets! The song is a celebration of the exuberance of life.
  • Billy Elliot the musical is by Elton John and is based on the hit movie of the same name.
    The show revolves around Billy Elliot growing up in a mining community in County Durham in the North East of England. Billy’s struggle to learn ballet dancing in the macho community is mirrored by the family and community struggle caused by the miners’ strike of the early eighties.
    The Letter is sung by Billy, Mrs Wilkinson and Billy’s mother in a flashback. He has brought things which inspire him to his dance teacher to base a dance around. The letter is from his mum, written as she was dying. It was meant to be read when he was eighteen but he has read it already.
    The song is beautiful and heartbreaking and if you can really get in touch with the strength of a mother’s love then you will be able to deliver this song with love and emotion. The song can easily be made into a solo.
  • Candide is a musical which is probably more of an operetta than it is traditional musical theatre. It is based on the novella by Voltaire. It is a long, tangled and epic plot with the hero Candide searching for the ‘best of all possible worlds’
    Candide beleives that Cunegonda, his betrothed, is dead and has set out on a journey of discovery. Cunegonde turns up alive in Paris, being supported by a welathy lover living in the house of a Marquis and a Sultan. She is being aided by an Old Lady who is serving as her governess. Cunegonda draps herself in her jewels and sings ‘Glitter and Be Gay’
    The song is brilliant fun, Cunegonda is bemoaning her lost purity, largely because she feels that she ought to do so, and is trying to convince herself that her glee and delight in jewelry is a sign of character when faced with adversity rather than a sign that she has always liked pretty, shiny things!
    If ‘Soliloquy’ is a musical theatre aria for a male singer, then ‘Glitter and Be Gay’ is a musical theatre aria for a soprano.
    “And yet of course I rather like to revel, Ha ha!
    I have no strong objection to champagne, Ha ha!
    My wardrobe is expensive as the devil, Ha ha!”
  • Sweeney Todd is melodramatic and almost operatic throughout, this song is one which can really show off a true soprano.
    Johanna is being kept by Judge Turpin almost as a prisoner and in this song she is likening herself to a caged bird. Keep your spirit and voice bright and ‘bird-ish’ when singing it. Each phrase ends with a long note, try to hold it and not decrescendo.
    Outside the sky waits, Beckoning, beckoning, Just beyond the bars. How can you remain, Staring at the rain, Maddened by the stars?
  • Tales From The Bad Years is a musical revue by Kerrigan and Lowdermilk.
    The show is a series of short self contained songs and musical scenes, all about being twenty-something.
    The songs from this show are perfect for auditioning for drama school as they dealk with issues you will be familiar with at student age. The songs are about youth, determination and unexpected love.
    Not A Love Story is a song dealing with the end of your first love, how the romance ends and you drift apart. Its a beautiful song, its modern, its probably not one they’ve heard hundreds of time. If you can find the sheet music, then give it a whirl.
  • Light in the PIazza is a 2003 musical by Adam Guettel which tells the story of Margaret Johnson a wealthy Southern woman and her relationship with her emotionally stalled daughter Clara, whilst they spend a summer in Italy in the 1950s.
    The entire score is more classical and operatic than a lot of recent musicals which are probably considered pop or rock in sound. The Light in the Piazza has unexpected shifts in harmony and extended melodic structures, it is heavily orchestrated and is bilingual.
    Fable is sung right at the very end of the show by Margaret. She has given Clara her blessing to marry and is left alone on stage and opens up about her repressed doubts and yearnings about love and realises that the mere chance of love should outweigh all of the terrible risks she has associated with it.
    The song is beautiful and powerful
    “For the arms you could fall into forever
    For the joy that you thought you’d never know
    For here at last away you go
    To a man who looks for you”
Be bold, daring and creative and you can’t go wrong.